August 28 (Ode To – -)

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                              I

‘Tick-tock’- the hands of the clock cruelly sound

Like a blade held against the whetting stone

Each second seems some new spark now rising,

Vaguely phosphorescent, disappearing

Like souls passing into infinity

Striking the hearthstone, then- into nothing

 

Streetside the scarlet-colored cyclamens

Sway with the weight of the wind’s warm whispers

While the slow fall of the night’s first fireflies

So strangely flickers in the vast expanse

Of the ever-darkening western sky,

Flitting like your recently struck match heads,

Blooming, instantaneously beyond

The pale recognition of their blossoms-

Those freshly plucked petals, faintly falling,

Lingering like fingers of heat lightning

Surrounding you in a velveteen gale

 

Darkness creeps in like a quiet lover

To brush away the pale blush of blue sky,

The delicate cobwebs of the last clouds-

White fluff, intricately woven with jewels,

Where each star hangs like a frail drop of dew

Encroaching night whispers a wine-dark flush

Along the expanse of the horizon,

Kisses the day into unconsciousness

(All is enveloped in this quietness

While we hold our breath for the moon to rise)

 

                              II

I get so god-damned depressed when I drink

That sometimes I could just drop dead, except

There is something hidden in your sly smile

And the way you dance makes me feel relieved

Just to know you are breathing I suppose

(Although a hundred pairs of hungry eyes-

Lights dimmed by the virtue of drunkenness-

Stare straight through me to steal a glimpse of you,

To somehow satiate their cold desires)

And there are of course your glimmering eyes,

Glinting with the mischievousness of drink

 

Your body sways like the hypnotists chain

So I stand transfixed, tapping out the beat

With my free hand as the band rambles on

(The other is still tight against your hip-

Two fingers through the belt loop of your jeans)

As I watch you sip your whiskey and coke

And smoke cigarette after cigarette,

The blue haze of your exhalations hangs

In relief against the late-summer sky,

Each breath falling like boats in a harbor

Rising again with each whim of the waves

Ebbing to and fro amidst the moonlight

Floating me headlong into elation

(My heart swells up like a birthday balloon)

 

(This somnambulist strains his tired eyes,

Opening them like a revelation:

I know that I shall spend my future days

Waiting to climb into bed beside you

Dreaming only of the way you would kiss)

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‘My Sister’ (A Poem)

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(‘Play that old allegro in E-major’
‘The one rendered incomplete by his passing,
The passing of insouciant youthfulness
Into the embittered arms of old age?’
‘The one he was writing as he went insane’)

The valley echoes with lamentation
Daffodils sway with windswept heavy heads
In the dying light of this days decline
Swift hoofs strike the tired earth like anvils
The dust rises skywards in amber plumes
As the dolorous shades, the blues and greys,
Dissipate in the cold light of evening
So that the fog hanging amongst the reeds
Is reduced to a frail lingering dew
Retaining the prints, the ghosts of your tread
Held in such suspended animation
Pale memories to outlast the monarchs

My sister shot herself three years ago
But I still cannot begrudge her the act
For I know what it’s like to be alone
I guess I was just sad to let her go
To recognize all the joy we will miss
The summers at the lake house in Norway
Riding bicycles in the countryside
Cutting paths through the freshly fallen leaves
When the weather turns, bundling up inside
With our favorite books by firelight
Gazing out into the star-riddled sky
We whisper our plans for the future and
Each season go berry-picking in Maine
As the afternoon spreads out before us

From the volume ‘And Persephone Turned To Him Weeping’ Image

‘The Bonnie ‘Prince’ Billy Concert (The Buskirk Chumley Theater, Bloomington)’: A Poem

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ImageThen as the lights dimmed in the theater

a hush began to fall like a first snow

and silence soft and cool like eiderdown

blanketed us all in every row

As we sat there waiting in the darkness

for the players to emerge from the glow

that lingers like fog when the curtains part

I could not help myself once from stealing

an intermittent glance of your profile

from the safety of my periphery

In all these interminable moments

my heart brimmed with adoration until

it overflowed and made my palms perspire

I longed to reach out for the tiny hand

that you had rested upon your left thigh

to enclose it and clasp it in my own

like a locket hides a wordless promise

but i burned with the question left behind

by every word we’d not yet spoken

or had thought of but swallowed hard to hide

thinking ‘we’ll get around to it…in time’

but we never did and then here am i

wondering to myself ‘have i the right

to even dream of all that skin of yours

i’m swimming in each time i close my eyes

and even when i open them to find

that now every moment of my life

only feels like i’m drowning in your wake

catching fragmented glimmers of your smiles

from below the waves while you pass me by?’

We sat there like tourists among natives

at times chattering away with the air

of insouciant explorers, but at times

eyeing each other through the silent haze

only staggering suspicion sustains

all the while harboring a winsome hope

that the words we were leaving unspoken

would not now and forever want meaning

We were stunned, somehow ashamed that our eyes,

two tiny lights misting like windowpanes,

served as our foremost means of expression

And so we hung our heads abashedly,

stunned schoolchildren flush with embarrassment

caught in the act of uncovering that

It’s for a rare breed to savor silence

So silently we let that remain that

Though this is all I’ve ever thought about

Poem: ‘The Shower (You Are Never Really Alone, Are You?)’

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She shall sing the song of my arrival

Like an old sea-shanty as she showers

And I am left alone to contemplate
The mysterious nature of her room:
The thread count of her blue cotton bedsheets
Why falling water, whether from faucets
Or the clouds on high, reminds me of rain
But I hear the handles begin to turn
I am stirred from my evening reverie
Listening for each stray drip as it drops
Drainwards from the top of the shower head

Your form is still faint and fragmentary
As you take two steps across the threshold
The steam rises, and billowing above
The vague outlines of your bare arms and face,
Follows in your wake like a graveyard ghost

Now you stand disconsolately before
The cold, dead stare of your own reflection
In the impartial glare of the looking glass
You gaze through the mirror towards your epitaph:
Perhaps ‘Here Stands the Fairest of Them All’
You turn around to ask my opinion
As if you did not possess the foresight
To finger my stops when I move to speak
To pull from me the words you long to hear
As if I would not say them anyway
But we both know before they leave my lips:
‘You look wonderful with your towel and robe
Your eyes are twinkling like two falling stars
But perhaps you would look better without’

Your hair hangs bright-brown like sycamore boughs
Concealing your chest like a waterfall
Behind whose curtain the buds of your breasts
Rooted beneath the damp soil of your skin
Have bloomed from the bulb of your beating heart

Rouged to red by the birthing doctor’s hand
Something of your skin relies on fever
A flush creeps across your cheeks when we touch
Lip-prints linger upon your still-wet skin
In all of the places I have kissed you

I cup your breasts from behind like a thief
Or a schoolboy afraid to meet your gaze
Still embarrassed by his own nudity
Blushing for the sake of both our bodies
(At least for now as the lights are left on)
In the dark I develop my senses
Letting the tips of my fingers tip-toe
Down each vertebrae of your naked back
Like each is a step on a walking path
I fit your body like a puzzle piece
Like a hand slides into its winter glove
Let our tongues twist like two sleeping serpents
Hidden away from the dry heat of day
Buried below the depths of desert sand

After the eagerness has abated
Sleep rolls over you like a gentle tide
As your breath begins to slow and settle
Into the tender cadence of a snore
You dream something deeper than my madness

I leave a note where you’re sure to find it
In the breast pocket of your suit jacket
So at least you know that I think of you
Each and every time you go away
Whether for the few moments when you bathe
Or for the eight hours of the working day
(‘You are never really alone, are you?’)

Love Anchor | The Official Site For Love Anchor/Artist Alexander Frost | The Frost Foundation

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Love Anchor | The Official Site For Love Anchor/Artist Alexander Frost | The Frost Foundation.

This is my non-profit organization. 100% of proceeds from the sale of my acoustic/deconstructed LP ‘Together We Built A Doomsday Device’ will benefit disenfranchised women around the world, most of them trapped inside the global sex slave/forced prostitution circuit. 50% will be donated on behalf of Music for Good on ReverbNation whilst the rest will be personally gifted by The Frost Foundation. For more information regarding The Frost Foundation, please visit the above link. To purchase MP3s for charity, visit: http://www.reverbnation.com/loveanchor

Thanks,

AF

‘How Will The Poets Sing of Suicide? (Eulogy)’

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Gilman chose chloroform over cancer

She picked the etherized rag over all

Tumbling into darkness like a dancer

 

An old ranch hand missing youths mystery

Hemingway took Chekov’s gun from the wall

And blasted himself into history

 

Rothko answered the Primitivists call

Slashing up his wrists in a rush of red

Fagan could fly, but in Rome chose to fall

 

Woolf stuffed the pockets of her overcoat

Worn atop her favorite dressing gown

With stones and drowned, fearing she’d missed the boat

 

Plath put out breakfast in old London town

Then sealed herself off with the gas left on

Sexton chose her car with the garage door down

 

Gros sank in the Seine like a yearling fawn

In like a lion, fished out like a sheep

How does one mistake Baron’s ease for brawn?

 

Poor Jeanne, despondent enough for two

Dove three stories into Stygian sleep

Days from the date her second child was due

 

While watching industry and commerce creep

Christopher Wood chose rustic scenes to paint

By train he gave his passage to the deep

 

Tchaikovsky toasted with cholera-taint

Amidst a Petersburg epidemic

The spectre of the failed sixth, his name saint

 

A man may break his bones with stone or stick

But van Gogh revolved around the quick sigh

Of stars burning to singe the vigils wick

 

Like Mayakovsky he died by the gun

The modern end to the everlasting

When the sun reveals what the moon has done

The bane of the clipper ships half-masting

As the daylight plays out how the war was won

Quicker than the pole rigged up for casting

Removed of worm so nimbly there is naught

Left with mind enough or tongue to be taught

‘Balloons (Sonnet)’

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Image
the old coats of paint have started to peel
Cracking in sorry clefts near the wainscot
it’s a wonder what weather can reveal
secrets we hid and sorrows we forgot

most of these chores will bother me for weeks
Braving the swaying stairs to the attic
can wait until i’ve wrapped around these leaks
anything at all to soothe this static

with five senses to feel four seasons change
Each day you remain my single desire
still content to see the breeze kiss the range
sunsets go starless as our souls catch fire

with your name stuck in the back of my throat
filled like a balloon with your breath i float

‘Sestina (Silence)’

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Here, while l lie still beside your body

Immersed in blankets to harbor this heat-

Rising, falling like beach wash in silence-
In the lane the breeze rustles the dead leaves
But the tip of your tongue makes bold of night
Flickering gently like candles whisper

Your voice delights my ear when you whisper
Arising, moonlight welcomes your body
Waltzing towards the window you greet the night
And in this moment I long for your heat
But what would happen if one of us leaves?
(The other would contemplate the silence)

It is hard to fall asleep in silence
It is more comforting when we whisper
Discussing the season, the scattered leaves
The secret pleasures of your lithe body
Its fragrant nudity, its wondrous heat
The light it emanates into the night

Often I think about some lonely night
When I lay here without you in silence
Bringing blankets from the basement for heat
Speaking your name in naught but a whisper
Wishing myself nearer to your body
Hoping for footfalls in the scattered leaves

(What will I do with myself when she leaves,
Throw on a coat and search throughout the night,
Seeking some evidence of her body?)
Why should I disturb this haunting silence?
Because it is magic when we whisper
Twisted together like snakes for some heat

(But, as for now, I am blessed with your heat
And pay no mind to the sere, rustling leaves)
Let me serenade you with a whisper
That escapes on the wind, pierces the night,
And permeates the dead winters silence,
Breathing chills down your naked body

Your body is not like the fallen leaves
With its heat it burns holes into the night
Inscrutably, like a whisper (silence)

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‘Morning Song (Ode To Broken Things)’- A Poem in Terza Rima

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imagesWe sway like tugs moored in moonlit harbors

Tethered each to each with fishermans coil

Dizzy we stride ‘twixt these lime tree arbors

 

now we have grown too frail for fields and toil

My hands they are wrinkled, weathered, and thin

Old as the alders asleep in their soil

 

I see the world turn and galaxies spin

In each unconscious blink of your eyes

They burst into being, and die again

 

When I feel it rain I know a star cries

All alone and no soul to fill the bleak

So I guess that’s why this land never dries

 

so let me take you here against my cheek

when we feel surrounded by this slow grind

to search your eyes for something more to speak

 

I’d say it all if i still had the mind

if never i’d lived to work and grown weak

When the time comes the right words i can’t find

 

‘Always’ is a song that the morning sings

This then is an ode to the broken things

Excerpt from Book Two ‘Lachesis’

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‘For You, To Unravel Loves Mystery’, Book II: Lachesis, excerptImage 

The vaguely cosmopolitan mannerisms manifest in the young woman known by her friends and family as Emily were undoubtedly inculcated in her by a set of unhappily undivorced parents with unwarrantedly snobbish capitalist-class pretensions for luxury. As such, their privately educated daughter, upon graduation from her inordinately expensive, females-only preparatory school, was promptly shipped away to the out-of-state four-year institution of her choice. Having been forcibly cloistered for a far too numerous number of years without so much as the simple luxuries of donning a colorful, cute, and stylish outfit every so once and a while, the startlingly myriad amount of religious rules and regulations she was subjected to as an upstanding and well-to-do young lady of overly fine breeding became to chip away at her fragile-by-virtue-of-puberty psyche, slowly and surely. As the days dragged on in an interminable succession of assiduous study of even the most unimportant religious scriptures, insufferable daily sessions of prayer, worship, and confession in the school chapel, incessant reprimands and admonishments from everyone from nuns, rectors, and even the vicar himself on an occasion or two for the seemingly most unordinary and innocuous behavior, and not to mention of course the abhorrence of being forcibly paraded around in the bleakest and perhaps single most unflatteringly plain pieces of academic garments in all of known existence, she was very frequently forced to ask herself one of the most profound of existential queries: ‘how is a girl expected to acclimate oneself in the actualities beyond the cold, castle-like walls and spires of her institution?’ She was as if a veritably burning soul forced to undergo the tortures of being continually doused with equal parts ice water and dogmaa at regular intervals, or whenever even a hint of any immoral or unladylike behavior was suspected. For the simple sake of brevity, this early and lengthy institutionization was probably the sole determining factor in the sluttishness she was to embrace when provided with the opportunity to dislocate herself from the Catholic dogmatism of her formative teenage years with an admissions packet to college and a bank account filled with her parents funds. This is, however, not to say that there were no other remarkable influences in her dramatic transformation, but, truth be told, women of that class and age, for all of their insipidity and relative homogeneousness, are notoriously difficult to psychologize to any significant degree. And so we shall see.

As an inhabitant of one of the higher social spheres is so apt to do, Emily chose her friends with deliberate discrimination upon moving away for college. Though their numbers were diminutive, Emily’s social circle was comprised of only the most well-bred and elegantly dressed young ladies of the dormitory. They, too, were products of prototypically fine families, the forefathers of which had accumulated sizable fortunes in American industry, enabling the latter generations to settle down and breed in the safe-havens of their respective suburban residences. The constituents of the clan had been previously dispersed throughout the respectable urban areas of the middle-west:  Cincinnati, Indianapolis, and St. Paul, to name a few, so it seemed that by an act of an ordained higher power, or perhaps by an act that was decidedly less beneficent in nature, that they had all descended upon the same university. This is not to say that the discrimination perpetuated in the assembly of her social circle was in any way sexist, because such an assertion would indeed constitute the most horrendous fallacy. Gentlemen were accorded the same opportunities as the ladies, so long as they met the same criteria. In this case, one young man with impeccable taste in designer clothes was chosen for admission into the group. He fit in quite well with his soft-spoken, if not entirely silent, superciliousness and apparent disregard for the interests of the lower classes. However, he possessed several deficiencies, but these imperfections were capable of being overlooked due to their necessity. Firstly, he was not what one, especially one with a pampered fashionista’s sagaciousness, would consider attractive. He was a pale young man, tall, but not overtly so, with a pockmarked visage and extraordinarily thin brown hair that was both wispy and patchy enough to suggest androgenic alopecia to some first timers, but to those in the know, his significant amount of follicular degradation was, considering his age of only 19 years-old, almost impossibly symptomatic of male-pattern baldness. That having been addressed, a consideration of his body type must be at once taken into account for further explanation of the previous hypothetical conjecture. Built upon an exceedingly slight and slender frame of somewhere around 5’10-11”, his body was kept cooly emaciated by a very stringent dietary preoccupation with eating little to nothing on a daily basis interspersed with intermittent bouts of excusing himself to the water closet for a quick and friendly purge. His diet, though incredibly unsound from both a general medical and basic human standpoint, was supposedly doing quite well for him. It was doing so well in fact that those members of lesser society without the keen eyes of the beautiful and luxurious fashionistas would likely attribute his pitiable physical condition to a humdrum case of anorexia nervosa. As it is truly a miraculous occurrence that his tiny body could support even so much as his roughly 110 pounds without simply toppling over like a dried and withered walking skeleton, his place amidst the ranks of the gorgeous and disinterested was set by virtue of his trial by hunger. Yes, he had indeed passed the test in spite of his having more than likely both self-initiated it and self-sustained it. Plus, he always wore the latest high-fashion styles from the runways of Paris, Milan, Tokyo, and London, and always in a size at least one smaller than any of his female cohorts.

But despite his overwhelming number of similarities with the other ladies of his clique and the fundamental soundness of their friendship as a whole, cohesive unit, the others were naturally harboring some ulterior motives for ingratiating this man into their elite social scene. His very unattractiveness in the purely physical sense was an essential component to the integrity of the groups infrastructure, as they deemed masculine beauty subsidiary to that of the feminine on the basis of principle; and, moreover, in the interest of hypotheticals, if he was exceedingly handsome, the possibility of quarrels amongst the heretofore catty, but more often than not friendly, female group members would increase exponentially in direct relation to the degree to which he was handsome. Secondly, and perhaps most importantly, he was of the homosexual orientation, so even if he was a burly, handsome, high-cheekboned bruiser with aspirations to toss the pigskin like a champion for the school team, which he most certainly was not by any stretch of the imagination, any chance of internal strife relating to the feminine pursuit of his affection was effectively nipped in the bud.

Emily herself, by all means the unspoken leader of her set, exhibited the same tactful discernment in her acquisition of prospective lovers as she did when selecting her retinue. Although most women, and men, for that matter, would undoubtedly prefer a handsome partner, this feminine predilection is not in itself by any means unnatural; but her methodical process, however, was decidedly megalomaniacal, and in many respects analogous to the way in which a modeling agency is owned and operated. Both her conception of, and insatiable appetite for, masculine beauty had obviously been influenced by her vociferous consumption of all the popular fashion magazines, enamored as she was of well-defined cheekbones, glowing skin, and minimal body-fat percentages. The physical attributes of the male models she swooned over, superlatively seldom though they were in actuality, nevertheless shone the guiding light in her quest to descry and procure as many of these unnaturally beautiful men as possible, essentially in the same manner that a young girl, once she has experienced the previously unknown pleasure of receiving, and subsequently manipulating, her first toy doll, will attempt to appropriate at any cost and by any means, a multitudinous array of them in a passionate display of frenzy. The fundamentally malevolent obsession inadvertently inculcated in her by the well-intentioned gift of a pair of doting parents, desirous of inspiring happiness in their little girl, innocuous as it at first seems, proves to be uncontrollably virulent, becoming with startling celerity an awe-inspiring act of incessantly avaricious desperation. The happy little girl whose face lit up like the beacon of a lighthouse when she opened that fortuitous first gift, on realizing the possibility of obtaining complete control over her possessions, who has subsequently crowned herself queen of the kingdom she has created in her imagination, begins a prodigious psychological and emotional transformation. Reality becomes merely a realm of unnecessary subordination to parents, school-teachers, and other figures of authority. Vexed to discover any exhibition of her developing sense of entitlement is regarded as puerile insolence, she sheds the skin of innocence by her constant friction with those who attempt to exercise any authoritative influence over her, thereby completing her transformation into a purely egotistical and audaciously capricious creature, one inclined to kick, scream, gnash her teeth, and cry the tears of an almost Biblical deluge to obtain the objects of her desire. So the parents who unwittingly gave birth to this child, who still bears a frightening physical resemblance to their beloved daughter, but who, in relation to her former countenance, ceases to possess any such similarity, are forced to acquiesce to her every whim, and to do so with obsequious felicity, lest they seek to expose themselves to the jagged rocks and unrelenting riptides that surround the shoreline where the lone lighthouse that was her face has discontinued to emit its lovely glow. The wrathfulness at all times in uncertain dormancy beneath the folds her cornflower-blue sundress and her bowed tangle of dark-brown hair promotes the parental acquisition of new dolls, entirely new families on a miniature scale, which are purchased with extreme haste and immediately bestowed upon her for fear of another outburst, thus facilitating the expansion of the petulant little queens empire. And, for a time, she is once again elated to take leave of the real world, to retreat to the depths of her imagination where her word is incontestable and her rule over her subjects is unremitting. Unfortunately for our protagonist Dmitrii Donatello, these behaviors once they have become inveterate are the bane of all members of functioning society, not least of all by any means the males.

Emily’s love life, which encompassed nearly the entirety of her waking life, was something altogether peculiar from a scientific and sociological perspective, and, if for no other reason besides, it is interesting enough to discuss in some detail. She was never one to subscribe to any pithy maxim attributable to the majority of women, such as the observation that certain ones ‘prefer quality over quantity.’ This trend is in itself attributable to a certain egotistical viewpoint of the ‘kitschy’ and baser elements at work in society, those to which she would no sooner dignify with a contemptuous sneer in passing as take part in a Labor Day sale at a popular department store, primarily from a sense of education, breeding, and privilege, or the trifecta of power in America. She had the textbook sociopaths desire to conform to the social institutions, norms, and mores intended to provide a supplementary definition of her, as well as all those other members of her age group and gender, due in no small part to her desire to, if not challenge the status quo per se, at least attempt to rewrite the rules by which her early life had been governed. So, insofar as ‘quantity’ and ‘quality’ are concerned, her sense of entitlement, acting on behalf of her conscience, voted unanimously. The final decision was 1-0 for ‘I think I’ll have my pick.’

In spite of the inherent difficulties associated with any matter of proverbially having ones cake and eating it too, whether it be sex or some other much more mundane topic of conversation, it is natural to find that people are genuinely spurious of any acts of exceedingly inordinate copulation that are based essentially on pass/fail criteria. In essence, people are skeptical of the possibility that a fusion of the qualitative and quantitative aspects of a prospective lover can be, each and every time, successfully brought to fruition. It was in this way that Emily became a legend in her own right, so much so that she had developed quite the reputation of a fast woman, but an incredibly discriminating one at that. However, there seemed to be, to once again employ a clichéd expression,  a ‘method to the madness’ of her masculine acquisitions. It was in this respect that Dmitrii likened her to Picasso, whose blue and rose periods corresponded to her blonde and brunette periods, for it seemed that for some months, though she disposed of her boys with the same characteristically unvarying rapidity, she exhibited a tendency towards males of a certain hair color. So in the spring, for instance, she might go through only brunettes with the nonchalance of a sagacious socialite who deigns to wear only the most excellent seasonal pieces from her favorite boutique designer. So with the change in the air that marks the inevitable transition from spring to summer, she would begin to amass a collection of beautiful blondes a la mode, as if by some caprice she had grown tired of the outdated fashions of the brunette auteur, and, after unceremoniously informing him that his services are no longer required, proceeds to clean out her closet with the exasperated, yet excited air of a privileged girl who finds it exceedingly difficult to control her sense of entitlement to an entirely new wardrobe although each piece in her current collection is still as impeccable as the day (only a matter of weeks ago) on which it was purchased.

It was during this seasonal sea change that the ineluctable meeting of Dmitrii and Emily took place. It is not so much that their paths crossed by sheer force of fate, as by force of the indefatigable will of the implacable huntress.

She harbored a soft spot in her cruel heart of stone for the androgynous effeminacy of a well-dressed young man with pleasant features, someone she could wear like a lovely little accessory ‘round her borderline anorexic arm as a means to placate her most recent fancy, and, though it should go without saying, someone who would look dashing in the process.

So it is no wonder that her path should cross that of Dmitrii Donatello, for they had by now inhabited the same campus building for some time. She had been correct in her initial labeling of him as a high-class snob, but she had ultimately failed in determining to which specific school of snobbery he belonged, for the world of snobbery, multi-faceted as it is, is made up of disparate schools of thought, each with their own particular philosophical concerns and emphases on onomastics. The school to which Emily belonged, onomastically speaking, was concerned with Gucci, Prada, Gaultier, and Dolce & Gabbana, to mention a few, while Dmitrii’s school of snobbery, one concerned primarily with the benefits of intellectual and cultural advancement, placed more emphasis on the names of Beckett, Tarkovsky, Stravinsky, Cezanne, and Proust than the designers of high-fashion.

Dmitrii acquiesced to her advances with a variety of vague ideas, the primary function of which was to examine the girl and her retinue from the perspective of a veritably liberal academician. Given the intellectual significance of his former Picasso analogy, he desired to study her from multiple perspectives with the simultaneity of the Cubist tradition:  sociologically, psychologically, and, most importantly, sexually.

Their relationship proceeded with an astonishingly alarming rate, for it had not been a full three hours after their first formal introduction and subsequent cursory conversation that they had become lovers.

The first few minutes of their intimacy passed rather awkwardly, characterized as they were by Dmitrii’s tendency towards silence. He stared transfixedly across the grass into the fading light of the late afternoon. Against the trend of popular conjecture, he was not entertaining any particular thought.

Retrieving an orange medicine bottle from the pocket of his jeans, and adhering to the niceties associated with polite conduct, he turned to his taciturn interlocutor to ask if she wouldn’t like some.

“What is it?” she asked rather listlessly, as if not completely surprised by the subtle temerity of the offer.

“It’s Xanax,” Dmitrii explained. “It’s my anti-anxiety medication, a benzodiazepine.”

“Sure,” she replied, extending her hand not so much in the interest of imbibing pharmaceutical drugs she knew little to nothing about with recreational intent, but more so out of a desire to provide an adequately polite response to Dmitrii’s idiosyncratically affable offer.

“Here you are,” he said, providing her with an oval-shaped pink tablet. “It’s only half a milligram. It shouldn’t mess you up or anything,” he added with a smile. “You’ll still be able to function normally, make the right decisions and so on.”

He took one pill out for himself before placing the cap back on the bottle. He swallowed it and relegated the bottle back to the confines of his jeans pocket.

“Thank you,” she said, proceeding to swallow the pill in the same manner as Dmitrii, without the aid of liquid facilitation.

“Good girl,” he said jokingly, making sure to take this opportunity to pat her on the back in order to provide some indication of flirtation like he’d read about in magazines and blogs. But this type of subtle behavior he simply could not stand with regard to females. There’s was too much on his mind for that breed of passive behavior.

“So, let’s go get wasted, alright?” he followed, not so much asking as informing in his typical manner of brash conversation.

Emily could not help but smile at his uncanny forwardness, so of course she had to say ‘Yes.’

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